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| Ciprian Muresan @ Mihai Nicodim Gallery through Dec. image via Artforum |
Like most of Muresan's video work, Dog Luv is composed of a series of brief vignettes that make use of simple gestures to address the more weighty issues concerning violence, consumerism, and existential struggle. It was a central piece at the Romanian Pavillion during the 2009 Venice Biennale.
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| Dog Luv (2009), DVD-PAL, run time 30 minutes. image via hvcca.org |
Throughout the film, dog puppets exchange in a conversation about politics and art education as if it were a primal need, an animal instinct that both propels society as well as miring it in unnecessary blather. A projection of fragments of a world of transformation, a world in which aspects of security, control, and individual choice are brought to the forefront.
Mureşan's cross-genre work considers the ways in which post- communism and globalization endlessly complicate each other. Deeply reflective of Romanian Art Education in the 1990s during the era of political freedom, Mureşan works to imagine a dialogue between Western and local art aesthetics that goes beyond a rejection of the neo-orthodox style, the popularized method of art making before the fall of Communism. This is talked more at length in the Artforum piece.
Mureşan's cross-genre work considers the ways in which post- communism and globalization endlessly complicate each other. Deeply reflective of Romanian Art Education in the 1990s during the era of political freedom, Mureşan works to imagine a dialogue between Western and local art aesthetics that goes beyond a rejection of the neo-orthodox style, the popularized method of art making before the fall of Communism. This is talked more at length in the Artforum piece.


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